To the Editors and Mr. Timpane, Inquirer staff writer:
As pertains Philadelphia Sunday Inquirer, Sunday April 19th , Arts And Entertainment Section, “City’s Poetry Scene Offers Variety Of Venues," John Timpane, an Inquirer staff writer and as we later find out a member of one of the writer’s non-profits prominently pushed in this relatively sizable piece of “yellow” journalese.
Having had been a working class street- poet in Philadelphia off and on for more than thirty years, I usual prefer to glean and then pass on commenting on the Inquirers periodic’ly trundling out a “poetry scene article every few decades.
But this particular time there are especially arrogant repressive and embarrassingly unqualified fawning “spin” calculated throughout in Mr., Timpane’s feature that, during critical socio- economic times such as these when, like it or understand it or not, the city’s populace and the reading/ writing/thinking American public need their grassroots, populist, artists and poetic- voices, recognized and mobilized. Well, such are here, have been here, and this is why I feel it necessary to “step up” to the plate. Even more so since I am an active- member of the locally, nationally, and internationally, “infamous” Underground Literary Alliance: an independent DIY grassroots cooperative, for instance, and therefore pretty much without financial means or official systemic “authorization” --- something that all of the groups (re: ponzi- schemes or “fronts“), non- profits, magazines and journals, etc. touted in this article certainly do have and in some cases have too much of (taxpayer money and academic/corporate favoritism, for instance) given the standard that President Obama and his “posse” articulates, namely, beneficial on practical as well as ideal levels for the people especially those under present conditions in need of succor.
Whereas the ULA, and myself most pointedly as one poet ,an equal among equals, in the Philadelphia underground culture, where verbal arts and public performance’s concerned, have shown all those attribute such as excitement, entertainment as but a surface in play, inspiration by “example” etc. and social- cultural populist interaction that the underground culture has founded, cultivated, shared , for decades, which Timpane has co- opted and assigns to “his scene” on order of entrenched and hostile monopoly (s).
Fact is simply that poets especially American poets are historically as well as traditionally advocates and catalysts of not just change but of shifts in paradigms, and “mirrors” that the democracy can therein see itself reflected and lifted up to full potential through the medium of communication and the conducting of life.
Mr. Timpane’s article has either deliberately or else misdirected by “controlling” third parties because he don’t know no better left out every stitch of evidence of the fact that the City has an important populist underground literary scene made up of individual poets, performers, and literary bohemians who struggle to gain access to the people from which are linked to by point of origin and experience, who are radically independent and generous in the pursuit of sufficient livelihood, and who come together to effect “truth and beauty” in action as a matter of social conscience beside raising common everyday speech of the street, of the authentic neighborhoods, to the higher emotional intellectual states.
None of this or these are mentioned or referred to in this article--- but this is consistent in a paper that as of late suffered dearly for its sticking to profit and bottom lines and submitting to the agendas-- locally-- of the “ruling” corporations and institutions some of the most powerful ones in fact pulling the strings of this article behind and “above” the scenes.
Again, this why I have in the end decided to write it this letter, attempted to see if might see the light of day on the city’s great editorial pages, and finally sent it to the Daily News as its intended style and content are of a more public and populist (and hence local) concern compared to those of the Sunday Inquirer.
From our vantage of under-standing whether Mr. Timpane is aware of it, this article is military- industrial complex propaganda in the service of a small group of special interests as evidenced especially since the individual poet/ writer/ producer is spoken for but nowhere directly referenced and, whereas the ULA’s whole resistance to this complex reflects our advocacy of the rights, public accessibility, and independence of individual writers, poets, and artists is primary as it is with individual artists themselves, and not dominance of administrations and conflicted bureaucracies. What a coincidence that Mayor Nutter was lobbying (for stimulus bucks) just the week before or so Sunday the 19th tight along these same lines and agendas referring to ”the culture and arts industry” and the “six thousand” people therein involved. No doubt all of them administrators and board members as well as the same invisible operators pulling his strings. Provencial academic cartels and insiders with the University Of Pennsylvania and Temple Universities close behind ”cooking the books” and “loading the deck” in order to justify their MFA writing factory systems ( and that be’s only half of it! ) while pacifying the greed for power and profit of the monolithic publishing concerns concentrated in nearby Manhattan (so that the complete “ivory axis of evil” of Columbia and Princeton should be throw-ed in here also!).
These are the big head of the octopus, while governmental/ corporate entitled literary pogroms and tentacles bring up the rear. Similar to Immanent Domain and “red- lining”, we have for ourselves here a sorta cultural cleansing of the underprivileged and undesirable unaffiliated un-coopted poet and writer in the name of gentrification and hegemony. The same agendas that have brought the Inquirer in kind “down” in the last few years, and, along with Mr. Timpane and the institutionalized elites, “up” behind the cultural-economic divides and their “hear-say” reactionary flim-flam in West Philadelphia and Center City.
Finally I can easily delve into specific and publicly name names on both side of this vital equation this letter implies but will not unless asked nice. Furthermore I and, with solidarity, the ULA challenge the Philly newspapers to concoct a likewise investigative feature article this other side, this cultural outside, advanced out of fairness and for reasons of living literary history which no one “owns”. Then again, for the literate public I beckon them to partake in all our culture in- the- flesh at Germ Books And Gallery on May 16th, in the Fishtown Kensington ‘hood, and decide for themselves where their “stimulus” tax-payer dollars might be better served.
=============================================== The Letter penned by Scofflaw aka FDW (Frank Walsh)